The Searchers | |
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Origin | Liverpool, England |
Genres | Merseybeat, pop, rock |
Years active | 1959–present |
Labels | UK Pye, Philips, Liberty, RCA, Sire; US Mercury, Liberty, Kapp, RCA, Sire |
Associated acts | Mike Pender's Searchers |
Website | www.the-searchers.co.uk |
Members | |
John McNally Frank Allen Spencer James Scott Ottaway |
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Past members | |
Tony Jackson Mike Pender Chris Curtis Billy Adamson John Blunt Eddie Rothe |
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Notable instruments | |
Rickenbacker Rose Morris 1993/12 |
The Searchers are an English beat group, who emerged as part of the 1960s Merseybeat scene along with The Beatles, The Fourmost, The Merseybeats, The Swinging Blue Jeans, and Gerry & The Pacemakers.
The band's hits included a remake of the Drifters' 1961 hit, "Sweets for My Sweet"; remakes of Jackie DeShannon's "Needles and Pins" and "When You Walk In The Room"; an original song written for them, "Sugar and Spice"; The Orlons' "Don't Throw Your Love Away"; and a cover of The Clovers' "Love Potion No. 9". They were the second group from Liverpool, after the Beatles, to have a hit in the United States when "Needles and Pins" charted during the first week of March 1964.
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Originally founded as a skiffle group in Liverpool in 1959 by John McNally and Mike Pender, the band took their name from the classic 1956 John Wayne western The Searchers. Pender claims that the name was his idea,[1] but McNally ascribes it to 'Big Ron' Woodbridge (born Ronald Woodbridge, 1938, ın Liverpool, Lancashire), their first lead singer. The genesis remains unresolved.
The band grew out of an earlier skiffle group formed by McNally in 1957, with his friends Brian Dolan (guitar) and Tony West (bass - born Anthony West, in 1938, Waterloo, Liverpool, Lancashire died 11 November 2010, West Way, Hightown, Merseyside). When the other two members lost interest McNally was joined by his guitarist neighbour Mike Prendergast. They soon recruited Tony Jackson (born Anthony Paul Jackson, 16 July 1938, The Dingle, Liverpool, Lancashire — died 18 August 2003, Nottingham, Nottinghamshire) with his home-made bass guitar and amplifier, who was recruited as a lead singer, but took a back seat at first in order to learn the bass. The band styled themselves as 'Tony and the Searchers' with Joe Kelly on drums. Kelly soon left to be replaced by Norman McGarry (born 1 March 1942, Liverpool, Lancashire), and it is this line-up — McNally, Pender (as he soon became known), Jackson and McGarry — that is usually cited as the original foursome.
McGarry did not stay long, however, and in 1960 his place was taken by Chris Crummey (26 August 1941 – 28 February 2005), who later changed his name to Chris Curtis. Later that year Big Ron had a successful audition with Mecca and became a ballroom singer. He was replaced by Billy Beck, who changed his name to Johnny Sandon (born Wıllıam Beck, ın 1941, Lıverpool dıed 23 December 1996). The band had regular bookings at Liverpool's Iron Door Club as 'Johnny Sandon and the Searchers'.
Sandon left the band in late 1961[2] to join The Remo Four in February 1962.[3] The group settled into a quartet 'The Searchers' with Jackson becoming the main vocalist. They continued to play at the Iron Door, The Cavern, and other Liverpool clubs. Like many similar acts they would do as many as three shows at different venues in one night. They negotiated a contract with the Star-Club in the St. Pauli district Hamburg for 128 days, with three one-hour performances a night, starting in July 1962.[2]
The band returned to a residency at the Iron Door Club and it was there that they tape-recorded the sessions that led to a Pye Records recording contract with Tony Hatch as producer. Their first single was issued in US on Mercury, the second on Liberty without success and then a deal was arranged with U.S. based Kapp Records to distribute their records in America. Their first album, sung mostly by Jackson Meet the Searchers was released in August, 1963 and reached #2 on the British album charts by the next month.[4] A slightly changed version of it, including the song "Needles and Pins" hit #22 in the US album charts in June 1964.[5]
Hatch played piano on some recordings and wrote "Sugar and Spice"—the band’s UK #2 hit record—under the pseudonym Fred Nightingale; a secret he kept from the band at the time.
After scoring with their hit "Needles and Pins", bassist Tony Jackson, who was only allowed one lead vocal on their second album, left the band and was replaced by Hamburg pal Frank Allen (born Francis Renaud McNeice, 14 December 1943, Hayes, Middlesex) from Cliff Bennett and the Rebel Rousers.
Chris Curtis, who had song-writing ambitions, left the band in 1966 and was replaced by the Keith Moon-influenced John Blunt (born John David Blunt, 20 March 1947, in Croydon, Surrey), who in turn was replaced by Billy Adamson in 1970. In 1967, Curtis formed a new band called Roundabout with keyboard player Jon Lord and guitarist Ritchie Blackmore. Although Curtis's involvement in the project was short-lived, Roundabout would eventually evolve into Deep Purple the following year.
As musical styles evolved, the Searchers could not keep up and as a result, the hits ran out. While they continued to record for Liberty Records and RCA Records, they ended up on the British "Chicken in a Basket" circuit, although they did score a minor US hit in 1971 with "Desdemona".
The group continued to tour through the 1970s and were rewarded in 1979 when Sire Records signed the band to a multi-record deal. Two albums were released: The Searchers and Play for Today (retitled Love's Melodies outside the UK). Both records garnered critical acclaim but did not break into the charts. They did, however, revive the group's career.
According to John McNally, the band were ready to head into the studio to record a third album for Sire when they were informed that due to label reorganization, their contract had been dropped. It was, in fact, because so few people bought the second album, although it was beloved by fans.
In 1981, the band signed to PRT Records (formerly Pye, their original label) and began recording an album. But only one single, "I Don't Want To Be The One"[6] backed with "Hollywood", ended up being released. The rest of the tracks, except one, would be included as part of 1992's 30th Anniversary collection.
Soon after the PRT release, Mike Pender left the group amidst great acrimony and now tours as Mike Pender's Searchers. McNally and Allan recruited former First Class vocalist Spencer James to fill Pender's shoes.
In 1988, Coconut Records signed The Searchers and the album Hungry Hearts was the result. It featured updated remakes of "Needles and Pins" and "Sweets For My Sweet" plus live favorite "Somebody Told Me You Were Crying". While the album was not a major hit, it did keep the group in the public eye.
The band continued to tour with Eddie Rothe replacing Adamson on drums and is considered to be one of the most popular 1960s bands on the UK concert circuit. The Searchers incorporate full band electric performances with an acoustic set as well. In 2010 Eddie Rothe announced that he would be leaving The Searchers to spend more time with his fiancee Jane McDonald. On 26 February he was replaced by Scott Ottaway.
Creating ample amounts of confusion, former Searchers lead singer Mike Pender also tours, formerly with his own band under the name "Mike Pender's Searchers" but now with various pick-up groups with whom he tours but still using the name "Mike Pender's Searchers", as he performs hits of the Searchers and some new material of his own.
Studio Albums
(Sweets For My Sweet, Alright, Love Potion # 9, Farmer John, Stand By Me, Money, Da Doo Ron Ron, Ain't Gonna Kiss Ya, Since You Broke My Heart, Tricky Dicky, Where Have All The Flowers Gone, Twist And Shout)
(Sugar And Spice, Don't Cha Know, Some Other Guy, On Of These Days, Listen To Me, Unhappy Girls, Ain't That Just Like Me, Oh My Lover, Saints And Searchers, All My Sorrows, Hungry For Love)
(Sweets for My Sweets, Ain't That Just Like Me, Listen to Me, I Can Tell, Sick and Tired, Mashed Potatoes, Sure Know a Lot About Love, Rosalie, Learning the Game, Hey Joe, Hully Gully, What'd I Say)
(It's In Her Kiss, Glad All Over, Sea Of Heartbreak, Livin' Lovin' Wreck, Where Have You Been?, Shimmy Shimmy,Needles and Pins, This Empty Space, Gonna Send You Back to Georgia, I Count the Tears, Hi-Heel Sneakers, Can't Help Forgiving You, Sho' Know a Lot About Love, Don't Throw Your Love Away)
(Everybody Come And Clap Your Hands,If I Could Find Someone, Magic Potion, I Don't Want To Go On Without You, Bumble Bee, Something You Got Baby, Let The Good Times Roll, A Tear Fell, Till You Say You'll Be Mine, You Wanna Make Her Happy, Everything You Do, Goodnight Baby)
(Unhappy Girl, Hungry For Love, This Empty Place, Hi Heel Sneakers, It's In Her Kiss, I Count The Tears, Can't Help Forgiving You, Love Potion # 9, Sea Of Heartbreak, I Pretend I'm With You)
(Needles And Pins, Farmer John, Sugar And Spice, What Have They Done To The Rain, Take Me For What I'm worth, Love Potion #9,'Till I Met You, He's Got No Love, Someday We're Gonna Love Again, Sweets For My Sweet)
(I'm Ready, I'll Be Doggone, Does She Really Care For Me, It's Time, Too Many Miles, You Can't Lie To A Liar, Don't You Know Why, I'm Your Loving Man, Each Time, Be My Baby, Four Strong Winds, Take Me For What I'm Worth)
(Have You Ever Loved Somebody, You Wanna Make Her Happy, Hungry For Love, If I Could Find Someone, When You Walk In The Room, Don't Throw Your Love Away, This Feeling Inside, Goodbye My Love, Take It Or Leave It, Saturday Night Out)
(It's All Been A Dream, Saturday Night Out, No One Else Could Love Me, I'll Be Missing You, This Feeling Inside, So Far Away, I'm Never Coming Back, Don't Hide It Away, It's Just The Way, Popcorn Double Feature, Lovers, Western Union, I'll Cry Tomorrow, Second Hand Dealer, Crazy Dreams, The System
Notes: Smash Hits and Smash Hits Vol. 2 are compilation albums that have been included because amazingly a number of well known (such as 'What Have They Done To The Rain' and 'He's Got No Love') charts hits never made it to a regular album. 'Hear Hear!' and 'This Is Us' are seldom mentioned on the web. They have been included because the contain songs that did not appear on other albums. The 'Play The System' album has been added because that album too contains early sixties songs songs that did not appear on previous albums.
Other than The Beatles, The Searchers was the only British group of its era that had most records issued in stereo. Producer Tony Hatch had mixed Searchers’ tracks in stereo to sound exactly like mono, and although a number of Searchers’ UK Pye albums were issued in mono only, the US Kapp label issued all Searchers’ albums in stereo. Later UK Castle and Santuary CD album reissues used stereo and mono masters.
1957–1959
1960–February 1962
February 1962–July 1964
August 1964–April 1966
May 1966–December 1969
January 1970–December 1985
January 1986–November 1998
November 1998–February 2010
February 2010–present
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